Collection
In this project, Javier Henriquez displays his confidence as drawer and designer to illustrate the cliché within the cliché. Archetypes of mexican culture expressed in faces occupying a skull format. A tzompantli where Mauricio Garcés coexists with Subcomandante Marcos, the tissue paper with the 1968 olympic graphic. There is no room for confusion, the characters are completely recognizable and the excitement lies in how precise the representation is. Posada knew it well when he skulled mexican society in the beginning of the 20th century, in image and literature: in prints where, antenna of collectivity, he got even and mocked and cried and recreated.